The Chase is an obscure, strange, yet compelling 1946 film noir. Made through low budget studio Monogram but released by United Artists, this off-beat movie is not for all tastes, but has developed a cult following among fans of the genre.
Based on a Cornell Woolrich’s pulp crime novel, the film tells the story of Chuck Scott (Robert Cummings), a down-on-his-luck ex-GI who finds a wallet full of lolly on the street. After enjoying a hearty, much-needed breakfast, he nobly returns the wallet to its owner, a psychopathic gangster named Eddie Roman (played with presence and menace by Steve Cochran). He is such a boy scout that he even confesses his use of some of the money to eat. Roman is impressed and amused, and hires “Scotty” to be his driver, over the reservations of his sinister right-hand man Gino (Peter Lorre). But nothing in noir is ever that simple, especially once Scotty meets Eddie’s glamorous, lonely and desperate wife Lorna (Michèle Morgan, in an alluring and elusive performance). In their extended drives together, she tells Scotty that she longs from escape from her brutish husband…if only some man would take her away from all this…
The key development of the story is a twist that has delighted some viewers over the years, and confused and disappointed others. I am in the former camp, as everything that happens is consistent with the central character’s personality and motivation, and because expressionism, darkness, forbidden fantasies and dream-like atmosphere are as noir as noir can be.
There is much to enjoy in this film, including some thrilling high-speed driving sequences in an unusual car that instantiates the sadomasochistic, dominating nature of Eddie Roman. Peter Lorre, in a role few people remember, steals every scene he is in as Roman’s aide-de-camp. Franz Planer’s tenebrous photography, particularly in Roman’s house (including a wine cellar you’d be well advised not to enter…) establishes the mood of doom in which the film revels. Also fun for film buffs: The Chase is a perfect film to analyze and argue about over unfiltered cigarettes and bourbon afterwards.
The Chase is in the public domain, so you can legally watch it for free right here.
p.s. Many people know that the train station gun battle in Brian De Palma’s The Untouchables is an homage to the spectacular Odessa Steps sequence in Battleship Potemkin. It could well be that De Palma’s opening sequence with gangster Al Capone and the barber was inspired by a similar scene early in The Chase.
p.p.s. SPOILER ALERT: While the extended dream sequence is occurring, there is a tip-off, namely Cummings’ suit. Running through the streets of steamy Havana, battling bad guys and being chased by the cops, his white suit, shirt and tie are immaculate in every scene. No wrinkles, no perspiration, no dirt. You could think of this as the character’s fantasy of himself as a rescuing hero/angel, particularly when contrasted to the demeaning outfit the former solider wears as the chauffeur to a hoodlum.