I have recommended the film Flirting, in which sadistic masters torment the new students in a boys’ school. I now turn the tables by recommending a film in which a new teacher John Ebony (David Hemmings) and his wife Silvia (Carolyn Seymour) are terrorized by the fifth form from hell. The last three students on the class roll are Unman, Wittering and Zigo, but Zigo is always absent, even going back to the time when the teacher that Ebony is replacing, Mr. Pelham, fell to his death (by accident?).
Director John Mackenzie of Long, Good, Friday fame made this creepy, nasty, thriller in 1971. He was aided immeasurably by master cinematographer Geoffrey Unsworth, who contributed some dazzling and disturbing point of view shots in the opening sequence as well as during the most horrifying scene in the film (which I will not spoil by describing other than to say, don’t bring the kids to this one).
The nefarious school boys (who include some actors who went on to distinguished careers including Michael Kitchen and Michael Cashman) are hard for the viewer to keep straight but that actually works, along with skillful editing, to make them seem less a group of individuals than a multi-headed hydra snapping relentlessly at Mr. Ebony. Hemmings, who also produced, is good as the pitiable Ebony, including in those scenes where he starts destroying himself with alcohol (perfect casting there, sadly enough. Hemmings left us too soon).
While struggling with the boys ostensibly below him in the hierarchy, Ebony must also cope with the headmaster, played by Douglas Wilmer with just the right amount of Old Brit unctuousness overlaying snobbery and cold-heartedness. Although the scenes with the boys are chilling, the pre-dinner drinks scene with the Ebonys, another master and his wife and the headmaster, make one’s skin crawl in an entirely different way.
The final third of the movie is not entirely satisfying in terms of logical plotting, but the film still delivers a consistent air of menace that gets under your skin. Certain ambiguities in the story invite debates about the interpretation of this film; to avoid spoiling the movie for those who haven’t seen it, I have placed my own nagging questions about this movie after the jump (i.e., Don’t read the rest of this unless you have seen the film, it will ruin it for you).